LISTINGS Anne Harris STAFF WRITERS Wells Dunbar, Katherine Gregor, Margaret Moser, Marc Savlov, Amy Smith, Jordan Smith CONTRIBUTING WRITERS TV EYE Belinda Acosta TCB Christopher Gray VISUAL ARTS LISTINGS Benne Rocket DAY TRIPS Gerald E. Denby Swanson, Tom Tomorrow, Roy Tompkins, Jay Trachtenberg, Justin Ward, Diana Welch, Shannon Wheeler, Richard Whittaker, Todd V. POSTMASTER: Send address changes to The Austin Chronicle, PO Box 49066, Austin, TX 78765. Culture is a way society talks to and makes sense of itself.
Wolfson The Austin Chronicle offers nonpaying internships. Unsolicited submissions (including but not limited to articles, artwork, photographs, and resumes) are not returned. Arguing that what once was vital is now enshrined, what was current is now timeless, what was of its day is now the be-all and end-all of great art is to trivialize culture and deprive it of its humanist power.
Billy vows to return, and SXSW goes green in oh so many ways, plus news and opinion from around the city, state, and world austinchronicle.com/chronic e^RQCHE ! This column is transparent hypocrisy, indicative of my utter corruption and com- pletely valueless, soulless, greed-obsessed, and parasitic existence. The solid certainty of the past is much safer than dealing with the fluid and constant flow of popular culture.
j Now Buying: Computers, Laptops Electronics, — 97 & UP Cars, Boats, Gold, Silver, ■P Jewlery Diamonds n a Artwork, Antiques _ .Smarty Pants - sooner or later, he’ll answer austinchronide.com/webextra 137 CLASSIFIEDS 154 THE COMMON LAW A landlord’s perspective on tenant disputes 155 CAR TALK Idle compressors are the devil’s playthings FOOD 47 True ’Cue: Cooking Off and Stall Crawling; St.Patrick’s Day Event Menu and Pub Guide; and Food-o-File 48 FULL PLATE In planning your SXSW itinerary, make room for these 10 dining destinations BY VIRGINIA B. - Beautiful Losers, a novel by Leonard Cohen I believe. In particular, I believe in the redemptive powers of music and film.The atmo- sphere is ever-evolving; it is often difficult to make sense of it or to quantify its social significance and cultural achievements.Not to argue, by any means, that every work in contemporary categories is inherently great or even good.